MARY BOOCHEVER ABOUT WORKS ARCHIVE MONOGRAPH NEWS CONTACT

RESUME STATEMENT ARTICLES REVIEWS
EDUCATION
MFA, Akademie der Bildenden Künste, Munich University, Germany 1973-78

INDIVIDUAL EXHIBITIONS
2006        Unhell, Genovese/Sullivan Gallery, Boston MA
1999        Ex Fabrica, Genovese/Sullivan Gallery, Boston MA
1996        Entelechy, Genovese Gallery, Boston MA
1995        Vertical Minute, Annika Sundvik Gallery, New York NY
1994        Hidden Entrances, Annika Sundvik Gallery, New York NY
1993        Genovese Gallery, Boston MA
1992        Daniel Newburg Gallery, New York NY
1990        Daniel Newburg Gallery, New York NY
1987        Daniel Newburg Gallery, New York NY
1982        PSI, Queens, NY, ‘Special Projects’

SELECTED GROUP EXHIBITIONS
2012        Ille Arts, Amagansett NY
2009        The Big Show, Silas Marder Gallery, Bridgehampton NY
2004        Orbiting Abstraction, Surface Library, East Hampton NY
2004        Dense, Genovese/Sullivan Gallery, Boston MA
2004        All That Glitters, Islip Art Museum, Islip NY
2003        Treatments I-XI, Genovese/Sullivan Gallery, Boston MA
2000        Malca Fine Art, New York NY
1999        The Ninth Triennial, Fuller Museum of Art, Brockton MA
1999        Contemporary Relics, William King Regional Arts Center, Abingdon VA
1998        Faculty Show, Lacoste School of the Arts, Lacoste France
1996        Celebrating The Permanent Collection, Part I,
                      Rose Art Museum, Brandeiss University, Waltham MA
1996        She Said, Genovese Gallery, Boston MA
1996        Annika Sundvik Gallery, New York NY
1992        JFK, Myth and Denial, B4A Gallery,
                      curated by Kevin Teare and Renee Fotouhi, New York NY
1991        Shooter’s Hill, AC Project Room, NY Daniel Newburg Gallery, New York NY
1990        Painting the Dematerialized Ego, Genovese Gallery, Boston MA
1990        Grids, Vrej Boghoomian Gallery, New York NY
1990        Nonrepresentation, Security Pacific Corp., Los Angeles CA
1990        The Fifth Essence, Gracie Mansion Gallery, New York NY
1990        Abstract Painting, Lawrence Oliver Gallery, New York NY
1990        Specific Metaphysics, Sandra Gehring Gallery, New York NY
1989        Riscos, Machado de Castro National Museum, Coimbra,
                     and Museum de Aveiro, Portugal
1989        Body Fragments, Shea & Becker Gallery, New York NY
1989        Methods of Abstraction, Gallery Urban, New York NY
1989        Nonrepresentation (The Show Of The Essay),
                     curated by Jeremy Gilbert-Rolfe, Anne Plumb Gallery, New York NY
1989        J.B. Art Museum, Louisville KY
1989        Sightings: Drawings with Color, Pratt Institute,
                     curated by Max Gimblett and Eleanor Moretta, New York NY
1988        An Unjaded Taste, The Bruce Museum, Greenwich CT
1987        D’Ornamentation, Daniel Newburg Gallery,
                     curated by Paul Groot, New York NY
1986        Stairwell Installation, White Columns NY
1986        Distances, Chapelle de la Salpêtrière, Paris France
1985        Logosimuli, Daniel Newburg Gallery, curated by Alan Jones, New York NY
1980        New York, Galerie Felix Handschin, Basel Switzerland
1978        Junger Western ‘77’, Recklinghausen Museum, Germany

SELECTED BIBLIOGRAPHY
2012        Jeremy Gilbert-Rolfe, New Directions in Geometric Abstraction,
                     University of Nebraska Press
2004        Cate McQuaid, “Dense,” The Boston Globe, March 19
2004        Helen A. Harrison, “The Allure of Gold and Glitter,”
                     The New York Times, January 4
2003        Cate McQuaid, “Mary Boochever, Treatments I – XI,“
                     The Boston Globe, December 19
1999        Mark Valentine, “Gallery Exhibitions,” South End News, October 21
1996        Christopher Millis, “Art,” South End News, November 21
1995        David Shapiro, “Mild Steel,” catalogue essay for Annika Sundvik Gallery
1995        Jeremy Gilbert-Rolfe, Beyond Piety, Cambridge University Press
1992        Cate McQuaid, “On The Street – Mary Boochever,”
                     The Boston Phoenix, February 21
1990        Cate McQuaid, “Painting the Ego,” South End News, October 3
1990        Terry R. Myers, Arts Magazine, September
1990        Jeremy Gibert-Rolfe, “The Current State of Nonrepresentation,”
                     Vision Magazine, spring
1988         Jeremy Gilbert-Rolfe, “Art Pick of the Week: Solid Abstraction,”
                     LA Weekly, January 15
1988        Jeremy Gilbert-Rolfe, “Nonrepresentation in 1988: Meaning–Production
                     Beyond the Scope of the Pious,” Arts Magazine, May, pp. 30–39
1988        Jeremy Gilbert-Rolfe, “Beyond Absence: Mary Boochever and Moira Dyer
                     Return a Notion of Being to Abstraction,” Arts Magazine, October
1988        Donald Kuspit, “Sightings, Drawings with Color,”
                     catalogue essay for Pratt Institute, New York NY
1987        Amelia Jones, Artweek, Los Angeles CA, December 20

TEACHING EXPERIENCE
2003        S.U.N.Y., Suffolk Community College, Riverhead, NY
                     Guest Lecturer, Color Theory and Electronic Application
2001        S.U.N.Y., Suffolk Community College, Riverhead, NY
                     Instructor, color theory
1998        Lacoste School of the Arts, Lacoste, France
                     Research Fellow
                     Instructor, drawing
1994        Art Center, Pasadena, CA
                     Visiting Artist
1991-92   School of Visual Arts, New York, NY
                     Instructor, foundation
1988-89   Yale University, School of Architecture, New Haven, CT
                     Guest Lecturer

LANGUAGES
German, French

COLLECTIONS
Private – local and international
New York Public Library
De Cordova Museum
Rose Art Museum




RESUME